Camera
Arri Alexa Mini
E-CODE: P4B11-
- Super 35 CMOS sensor with 4K UHD ProRes recording
- Records up to 200 fps for high-quality slow motion
- Lightweight carbon fiber body with titanium PL mount
- Built-in motorized ND filters, Wi-Fi, and wireless camera control
- Records to CFast 2.0 media with optional ARRIRAW support
- Ideal for handheld, gimbal, drone, crane, and vehicle-mounted workflows
Product Details
ARRI ALEXA Mini Digital Cinema Camera
The ARRI ALEXA Mini delivers the renowned image quality of the ALEXA family in a compact, lightweight camera body. Designed for feature films, television, commercials, documentaries, broadcast, and specialty camera work, it offers the flexibility needed for productions where size, weight, and mobility matter.
Its carbon fiber construction and self-contained design make it well suited for handheld operation, gimbals, drones, cranes, vehicle mounts, and other specialized camera rigs. As a result, crews can capture cinematic images in locations where larger camera systems are impractical.
Built for Flexible Production Workflows
The ALEXA Mini features a Super 35 CMOS sensor that records stunning 4K UHD ProRes images with the natural color reproduction and skin tones that have made ARRI cameras a trusted choice across the film industry.
For productions requiring additional flexibility, the camera supports frame rates up to 200 fps for smooth slow-motion capture. It also records directly to CFast 2.0 media, helping crews simplify on-set workflows without sacrificing image quality. Productions that require uncompressed ARRIRAW recording can also use an external Codex recorder with the appropriate license.
Additionally, the optional 4:3 anamorphic mode allows the ALEXA Mini to integrate seamlessly into anamorphic productions while maintaining consistent images alongside other ALEXA cameras.
Designed for Demanding Camera Rigs
The ALEXA Mini excels in situations where camera size directly impacts production efficiency. Its lightweight carbon housing, titanium PL lens mount, and reinforced sensor mount provide durability while keeping overall weight low.
The camera’s symmetrical design supports multiple mounting orientations, including portrait and inverted configurations. Meanwhile, numerous accessory mounting points make it easy to configure the camera for Steadicam, gimbal, drone, handheld, underwater, and vehicle-mounted applications.
Integrated motorized ND filters, built-in Wi-Fi, wireless remote control, and lens motor support reduce the need for additional accessories. Therefore, crews can move quickly between setups while maintaining consistent operation.
Reliable Performance Across Productions
The ARRI ALEXA Mini combines compact portability with professional cinema performance. Its quiet operation makes it an excellent choice for dialogue-heavy productions, while its broad lens compatibility supports PL, EF, and B4 workflows with the appropriate mounts.
Because it shares the same renowned ARRI color science as larger ALEXA systems, the camera integrates easily into multi-camera productions. Whether supporting narrative filmmaking, broadcast, live events, virtual production, or commercial content, the ALEXA Mini delivers dependable performance in challenging production environments.
Product Details
ARRI ALEXA Mini Digital Cinema Camera
The ARRI ALEXA Mini delivers the renowned image quality of the ALEXA family in a compact, lightweight camera body. Designed for feature films, television, commercials, documentaries, broadcast, and specialty camera work, it offers the flexibility needed for productions where size, weight, and mobility matter.
Its carbon fiber construction and self-contained design make it well suited for handheld operation, gimbals, drones, cranes, vehicle mounts, and other specialized camera rigs. As a result, crews can capture cinematic images in locations where larger camera systems are impractical.
Built for Flexible Production Workflows
The ALEXA Mini features a Super 35 CMOS sensor that records stunning 4K UHD ProRes images with the natural color reproduction and skin tones that have made ARRI cameras a trusted choice across the film industry.
For productions requiring additional flexibility, the camera supports frame rates up to 200 fps for smooth slow-motion capture. It also records directly to CFast 2.0 media, helping crews simplify on-set workflows without sacrificing image quality. Productions that require uncompressed ARRIRAW recording can also use an external Codex recorder with the appropriate license.
Additionally, the optional 4:3 anamorphic mode allows the ALEXA Mini to integrate seamlessly into anamorphic productions while maintaining consistent images alongside other ALEXA cameras.
Designed for Demanding Camera Rigs
The ALEXA Mini excels in situations where camera size directly impacts production efficiency. Its lightweight carbon housing, titanium PL lens mount, and reinforced sensor mount provide durability while keeping overall weight low.
The camera’s symmetrical design supports multiple mounting orientations, including portrait and inverted configurations. Meanwhile, numerous accessory mounting points make it easy to configure the camera for Steadicam, gimbal, drone, handheld, underwater, and vehicle-mounted applications.
Integrated motorized ND filters, built-in Wi-Fi, wireless remote control, and lens motor support reduce the need for additional accessories. Therefore, crews can move quickly between setups while maintaining consistent operation.
Reliable Performance Across Productions
The ARRI ALEXA Mini combines compact portability with professional cinema performance. Its quiet operation makes it an excellent choice for dialogue-heavy productions, while its broad lens compatibility supports PL, EF, and B4 workflows with the appropriate mounts.
Because it shares the same renowned ARRI color science as larger ALEXA systems, the camera integrates easily into multi-camera productions. Whether supporting narrative filmmaking, broadcast, live events, virtual production, or commercial content, the ALEXA Mini delivers dependable performance in challenging production environments.