Camera
Zeiss Supreme Lenses
- PL-mount cinema prime lenses with T1.5 maximum aperture
- Covers Super 35, full-frame, and FF+ image sensors
- Consistent color matching and mechanics across the lens family
- Standardized 95 mm front diameter on most focal lengths
- 16-blade iris for smooth, cinematic bokeh
- Available in 21 mm, 25 mm, 29 mm, 35 mm, 40 mm, 50 mm, 65 mm, 85 mm, and 100 mm
Product Details
ZEISS SUPREME LENSES
ZEISS SUPREME LENSES are premium full-frame cinema prime lenses designed for professional film, television, commercial, and virtual production workflows. Built for PL-mount cinema cameras, they deliver consistent optical performance across the entire lens set, allowing cinematographers to move between focal lengths without changing the visual character of a scene.
Available in focal lengths from 21 mm to 100 mm, the Supreme Prime family supports a wide range of shooting styles, from expansive establishing shots to detailed portraits and close-ups. Their consistent mechanics and compact design also help camera departments work more efficiently on fast-paced productions.
Consistent Performance Across Every Focal Length
One of the defining strengths of the ZEISS Supreme Lenses is their consistency. Every lens in the series is color matched and designed with similar dimensions, weight, and control placement. As a result, lens changes are faster and require minimal adjustments to follow focus systems, matte boxes, and other camera accessories.
The lenses cover image sensors from Super 35 through full-frame and larger (FF+), making them compatible with today’s leading cinema cameras while remaining adaptable for future large-format productions.
Additionally, the standardized 95 mm front diameter across most focal lengths simplifies accessory compatibility and speeds up lens swaps during production.
Built for Professional Cinematography
Most ZEISS Supreme Lenses feature a fast T1.5 maximum aperture, allowing crews to capture clean images in low-light environments while maintaining precise control over depth of field. A 16-blade iris produces smooth, natural-looking bokeh that complements cinematic storytelling across narrative, commercial, and branded content.
The lenses also feature exceptionally smooth focus rotation, even in challenging temperatures. Therefore, they perform reliably with manual focus pullers as well as lightweight wireless lens control motors commonly used on gimbals, Steadicams, and remote heads.
Flexible for Modern Production Workflows
The ZEISS Supreme Lens family is well suited for feature films, episodic television, commercials, music videos, live cinematic productions, and virtual production stages. Their lightweight construction makes them equally effective on handheld builds, drones, cranes, and stabilized camera systems.
With consistent optics, professional mechanics, and broad sensor coverage, ZEISS SUPREME LENSES provide cinematographers with a dependable lens package that integrates seamlessly into modern cinema workflows while delivering a cohesive visual look throughout production.
Product Details
ZEISS SUPREME LENSES
ZEISS SUPREME LENSES are premium full-frame cinema prime lenses designed for professional film, television, commercial, and virtual production workflows. Built for PL-mount cinema cameras, they deliver consistent optical performance across the entire lens set, allowing cinematographers to move between focal lengths without changing the visual character of a scene.
Available in focal lengths from 21 mm to 100 mm, the Supreme Prime family supports a wide range of shooting styles, from expansive establishing shots to detailed portraits and close-ups. Their consistent mechanics and compact design also help camera departments work more efficiently on fast-paced productions.
Consistent Performance Across Every Focal Length
One of the defining strengths of the ZEISS Supreme Lenses is their consistency. Every lens in the series is color matched and designed with similar dimensions, weight, and control placement. As a result, lens changes are faster and require minimal adjustments to follow focus systems, matte boxes, and other camera accessories.
The lenses cover image sensors from Super 35 through full-frame and larger (FF+), making them compatible with today’s leading cinema cameras while remaining adaptable for future large-format productions.
Additionally, the standardized 95 mm front diameter across most focal lengths simplifies accessory compatibility and speeds up lens swaps during production.
Built for Professional Cinematography
Most ZEISS Supreme Lenses feature a fast T1.5 maximum aperture, allowing crews to capture clean images in low-light environments while maintaining precise control over depth of field. A 16-blade iris produces smooth, natural-looking bokeh that complements cinematic storytelling across narrative, commercial, and branded content.
The lenses also feature exceptionally smooth focus rotation, even in challenging temperatures. Therefore, they perform reliably with manual focus pullers as well as lightweight wireless lens control motors commonly used on gimbals, Steadicams, and remote heads.
Flexible for Modern Production Workflows
The ZEISS Supreme Lens family is well suited for feature films, episodic television, commercials, music videos, live cinematic productions, and virtual production stages. Their lightweight construction makes them equally effective on handheld builds, drones, cranes, and stabilized camera systems.
With consistent optics, professional mechanics, and broad sensor coverage, ZEISS SUPREME LENSES provide cinematographers with a dependable lens package that integrates seamlessly into modern cinema workflows while delivering a cohesive visual look throughout production.