Audio
AKG D12 VR Large Diaphram Mic (kick Mic)
E-CODE: L2845-
- Active dynamic microphone designed specifically for kick drums
- Three selectable active filter modes with phantom power
- Operates passively when phantom power is unavailable
- Handles up to 164 dB SPL for extreme sound sources
- Cardioid pattern provides up to 25 dB off-axis rejection
- C414-based transformer adds tonal character to high-level signals
Product Details
AKG D12 VR Large Diaphragm Kick Drum Microphone
The AKG D12 VR is an active dynamic microphone engineered specifically for kick drum applications in live sound, touring, broadcast, and studio recording environments. Designed to capture powerful low frequencies and fast transient response, the D12 VR helps engineers achieve a polished kick drum sound directly at the source.
Unlike traditional kick drum microphones, the D12 VR offers selectable active filter modes that allow users to shape the sound before it reaches the console or recording interface. As a result, it can adapt quickly to a wide variety of musical styles and production requirements.
Flexible Sound Shaping for Modern Drum Production
The D12 VR operates as a passive dynamic microphone when phantom power is not present. In this mode, it delivers the natural, unprocessed sound of the kick drum.
When phantom power is applied, three active filter options become available. The first filter adds low-frequency enhancement for greater depth and impact. The second filter introduces a midrange cut that creates space for other instruments in a dense mix. The third filter combines both settings while adding a presence boost to increase attack and definition.
These options allow engineers to tailor the microphone’s response without relying heavily on external EQ processing.
Built for High-SPL Performance
The D12 VR features an ultra-thin diaphragm and a bass-optimized capsule chamber that accurately capture low-frequency detail without excessive boominess. Additionally, the microphone can withstand sound pressure levels up to 164 dB SPL, making it suitable for even the loudest kick drums and percussion sources.
The cardioid polar pattern provides up to 25 dB of off-axis rejection, helping reduce bleed from nearby drums and stage sources. Therefore, the microphone performs exceptionally well in both controlled studio sessions and high-volume live productions.
Studio and Live Event Ready
A key component of the D12 VR’s sound is its integrated transformer based on the design used in AKG’s classic C414 microphone. When exposed to high signal levels, the transformer contributes subtle harmonic character that enhances the overall tone of the kick drum.
Because of its durability, high SPL handling, and onboard sound-shaping capabilities, the D12 VR is a strong choice for concert touring, corporate events, houses of worship, broadcast productions, and professional recording facilities. Whether capturing modern rock, pop, metal, jazz, or orchestral percussion, the D12 VR delivers consistent and reliable performance.
Product Details
AKG D12 VR Large Diaphragm Kick Drum Microphone
The AKG D12 VR is an active dynamic microphone engineered specifically for kick drum applications in live sound, touring, broadcast, and studio recording environments. Designed to capture powerful low frequencies and fast transient response, the D12 VR helps engineers achieve a polished kick drum sound directly at the source.
Unlike traditional kick drum microphones, the D12 VR offers selectable active filter modes that allow users to shape the sound before it reaches the console or recording interface. As a result, it can adapt quickly to a wide variety of musical styles and production requirements.
Flexible Sound Shaping for Modern Drum Production
The D12 VR operates as a passive dynamic microphone when phantom power is not present. In this mode, it delivers the natural, unprocessed sound of the kick drum.
When phantom power is applied, three active filter options become available. The first filter adds low-frequency enhancement for greater depth and impact. The second filter introduces a midrange cut that creates space for other instruments in a dense mix. The third filter combines both settings while adding a presence boost to increase attack and definition.
These options allow engineers to tailor the microphone’s response without relying heavily on external EQ processing.
Built for High-SPL Performance
The D12 VR features an ultra-thin diaphragm and a bass-optimized capsule chamber that accurately capture low-frequency detail without excessive boominess. Additionally, the microphone can withstand sound pressure levels up to 164 dB SPL, making it suitable for even the loudest kick drums and percussion sources.
The cardioid polar pattern provides up to 25 dB of off-axis rejection, helping reduce bleed from nearby drums and stage sources. Therefore, the microphone performs exceptionally well in both controlled studio sessions and high-volume live productions.
Studio and Live Event Ready
A key component of the D12 VR’s sound is its integrated transformer based on the design used in AKG’s classic C414 microphone. When exposed to high signal levels, the transformer contributes subtle harmonic character that enhances the overall tone of the kick drum.
Because of its durability, high SPL handling, and onboard sound-shaping capabilities, the D12 VR is a strong choice for concert touring, corporate events, houses of worship, broadcast productions, and professional recording facilities. Whether capturing modern rock, pop, metal, jazz, or orchestral percussion, the D12 VR delivers consistent and reliable performance.